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Award winning writer, Catherine Hughes is a first-time author who, from her earliest years, immersed herself in reading. Historical fiction is her genre of choice, and her bookshelves are stocked with selections from ancient, Medieval, and Renaissance Europe as well as those involving New England settlements and pioneer life in America. After double-majoring in English and business management on the undergraduate level, Catherine completed her Master's degree in British literature at Drew University and then entered the classroom where she has been teaching American, British, and World Literature at the high school level for the last thirty years.

Aside from teaching and reading, Catherine can often be found outdoors, drawing beauty and inspiration from the world of nature. Taking the words of Thoreau to heart, "It is the marriage of the soul with nature that makes the intellect fruitful," Catherine sets aside time every day to lace up her sneakers and run with her dog in pre-dawn or late afternoon hours on the beaches of Long Island. When her furry companion isn't busy chasing seagulls or digging up remnants of dead fish, she soaks in the tranquility of the ocean setting, freeing her mind to tap into its deepest recesses where creativity and imagination preside.

"In Silence Cries the Heart" was recently named as a Finalist in Fiction-Romance for the American Writing Awards, Honorable Mention in Historical-Romance for the Coffee Pot Book Club Awards, and Honorable Mention in General Fiction for the New England Book Festival Awards. In addition, in the Historical Fiction Company's 2023 Book of the Year Contest, the novel was just named category winner of the Silver Medal for Historical Fiction-Romance.

5 Star Review of “In Silence Cries the Heart” from Historical Fiction Company

“... The novel's jewel lies in its ability to transcend the corporeal boundaries of the written word. It beckons the reader not merely to peruse but to inhabit the narrative's very soul. The author’s dexterity paints vivid landscapes, weaving an ethereal realm where the purity of love intertwines with the sinister machinations of fate.”

"‘In Silence Cries the Heart’ isn't merely a tale; it's a relentless symphony echoing across centuries, entwining the disparate notes of existence into a song of unbridled ardour and undying devotion. A captivating odyssey that ensnares the heart and mind, beckoning readers to traverse the realms of history and emotion. This story stands as an enduring testament to the resilience of love, a poignant reminder that some stories transcend the confines of time, resonating eternally within the chambers of the soul.”

More Books by
Catherine Hughes

Sometimes love can be so strong that it ruptures the confines of a single lifetime, extending into those beyond. This is what Caitlyn Hegarty, an American schoolteacher, learns on her trip to Scotland where she soon becomes entangled in the tragic history of a pair of 17th-century lovers. Standing before the dungeon at Undlay Castle, she relives the romantic adventures of the roguish thief and poet, Donal Donn, and his doomed passion for Mary McElroy, the spirited daughter of the laird of Undlay. Unable to shake their spell, Caitlyn is drawn into the shadows of the past as she attempts to solve the mystery enshrouding their forbidden love. Inspired by the true story of Domhnull Donn and Mary Grant, the novel depicts the timeless power of love amidst the lawlessness, superstition, and pageantry of a lost age.

In Silence Cries the Heart

Catherine Hughes

17th century love story set in the Scottish Highlands

Book Excerpt or Article

As the place came into view, I felt my spirits sag like the dampening weather upon my person. ‘Twas nothing unusual about it; no difference from yesterday or the day afore or the day afore that. I had hoped that the area would have been transformed in a way that bespoke of my protector’s identity, but ‘twas as it had always been. No longer running I could hear my own short, panting breath drown out all the other sounds of the glade. Marked by disappointment, I slogged my way over to the tree, wondering if I had misunderstood Hilda’s message. As I leaned against it to ponder this further, my eye was caught by a piece of canvas that lay inside the opening.

Hesitantly, I reached inside, afeard to hope that beneath it may be traces of what I’d been wishing for. The tips of my fingers tingled as they touched the cloth and lifted it aside. With a sharp intake of breath, I marveled at the three small scrolls afore me, each bound with a piece of ribbon--the same color as the one I had lost on the eve of my encounter. Untying the thread on the first one, I unfurled paper and read about “a thistle’s alarum” and “hair red-gold” and “eyes of emerald.” One part of me wanted to linger over these words and let them wash over me, but I couldna’ wait a moment longer, and with my heart racing, I reached for the second. Liberating the paper from its fastener, I trembled at the words of the question, “Will she come to me again and give me back my life?” Fighting back the urge to shout a resounding “yes” to no one at all, I dipped my hand back into the opening to pull out the third. Reveling in the confirmation of my dream, I was silent no longer and read the following words aloud:

An ember still holds within
The promise o’ what once was
And what can still be.
A mere glow i’ this moment
Can return to full flame

But another voice joined in with my own, reciting the final line,

When ye give yerself over to me.

I held my body rigid in complete stillness, lifting only my eyes off the paper and up toward the direction of the sound. ‘Afore me was an arresting sight--a tall, striking man whose presence energized the sylvan setting. Blue and gray plaid surrounded his body, and a pair of powerful hands held a bonnet that he gently fingered as looked upon me in earnest. Startled I was, but not afeard. Like the rippling waters of a springtime creek, my emotions surged inside me--not with cold but with a warmth that bubbled from the center of my body to its farthest points. Thick, wavy hair of ebony fell untied to his shoulders and glistened with droplets of moisture, casting him in an otherworldly type of shine. Pretending a boldness that I didna’ have, I held his gaze for a few timeless seconds ‘afore surrendering to the power of those jet black pools that conquered me with their depth.

Clinging to the hope that I’d not be wrong, I asked, “Ye are real, then?”

“Aye. I am,” he answered, later adding, “Mary.”

When he spoke my name, he dwelt upon the sound of it, almost as if he were singing out each of the letters. He didna’ smile nor scowl; he just simply stood afore me, absorbing every inch of my person with his eyes. Clearly he ken my identity, but I was at a loss as to his. He may have claimed to be of flesh and blood, but there was something ethereal about him as if he had arisen from the mist and woods and was one with them in spirit. Those dancing eyes beckoned me with the promise of thrill and adventure, and I could feel myself being swept away by his bearing. There was a ruggedness about his person that became more apparent when contrasted with the soothing, lyrical tone of his voice, kind of like hard oat scones that are softened with a bit of drizzled warm honey.

The distance between us remained constant. I think we were both afeard that moving too quickly to close the gap would scatter the other one away, as a tortoiseshell butterfly takes to the air to escape a child’s grasp. The rain continued to fall, cascading down my cloak, so I clutched the three papers together, felt for the inner folds of my coat, and tucked them safely inside, without ever turning my eyes away from his.

“How do ye ken who I am?” I asked him pointedly, tilting my head as if in challenge.

Instead of answering, he inquired, “Do ye have any recollection of me t’all?” And he raised his chin a bit at this as if turning the tables back on me.

“Aye,” I said softly, finally breaking the spell of his gaze as I looked down upon the empty hands in my lap.

“I found ye,” he started,” not too far from this verra place. Do ye mind if I step a bit closer to ye now? I’ll no hurt ye,” he spoke with such melody that I felt my own spirits lifting and being carried away, by words this time instead of his arms like last.

More Articles and Excerpts by
Catherine Hughes
and other authors
Florent Bainier
Chris Black
Amanda Roberts
Angela Moody
Laura Vosika
LCW Allingham
Jan Edwards
DL Fowler
Jerry DEAN Pate
Sara Powter
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