Book Blurb:
How do you reconcile a decision you made in the past when the world erupts in war, threatening the life of someone you love and believe you were protecting?
Adrian Mazurek immigrated to the United States from Krakow, Poland, 14 years ago and is now a successful violin soloist and the concertmaster of the Eleventh Union Symphony Orchestra in New York.
But despite his outward success, Adrian is inwardly harboring a shameful secret, one he has not revealed to anyone.
However, that is about to change. Adrian plans to propose marriage to Suzanne, but knows he must tell her the truth about his past before doing so. Riddled with guilt and shame, Adrian can barely look at himself in the mirror. How can he look Suzanne in the eye and tell her that he left his infant son, Simon, in the care of his aunt and uncle in Poland 14 years ago?
If only confessing the truth to Suzanne was the most difficult part.
Adrian soon learns that Germany has invaded Poland and that World War II has begun. Fearing that the Germans will learn that his son is of Jewish heritage, Adrian must do something to ensure Simon's safety. But what? And will Suzanne stand by his side or will she turn away because of his deceit?
Readers who were captivated by Concerto: Book 1 Simon will not be able to put down its must-read companion in the series, Concerto: Book 2 Adrian.
Book Buy Link: https://geni.us/5mh0z
Editorial Review:
“On Monday Evening, September 4, 1939, Adrian Mazurek, concertmaster of the Eleventh State Symphony Orchestra in New York City, stood in front of his bathroom mirror and finished tying the bow tie to his tuxedo. He lingered a while staring at himself and thought about how far he’d come since arriving in the United States fourteen years ago. Back then, he was a shattered young man who sought refuge in his education at the Walter J.S. Sanfried School of Music to overcome his tragic past. He’d focused on his studies to become a proficient violinist and avoided close relationships, lest people think poorly of him once discovering the reason for his retreat from Poland. Since then, he’d developed into a confident and respected artist who associated with the most prominent musicians of the time.”
Adrian Mazurek is a concert master in New York City, United States of America. He wants to marry Suzanne, and his musical ability is admired by all. But Adrian is hiding his past, and it threatens to overshadow all of his hopes. It’s September 1939, and a glamourous dinner party offers the opportunity he has dreamed of. Instead, the gathering troubles him as he tries to navigate the questions of other guests and the true beliefs of his host. Adrian must find a way to balance his past and his present, and somehow make his way in a country that is far from his homeland. The story is compelling from the start, with the reader drawn into Adrian’s personal dilemmas as he searches for a solution.
The author notes this is a companion volume to Book One (Simon) and although reading the first book may be of benefit for a fuller understanding of the background, this book is a story in its own right.
Adrian is far from perfect, and although the author’s characterization of his emotional guilt does evoke a level of sympathy in the reader, there are hints throughout that Adrian has a level of both self-interest and passiveness when faced with major life challenges. But flaws are what makes a character authentic, although the reader may not immediately condone all of the choices Adrian has made. Suzanne appears to be made of stronger stuff, and there is much to admire in her realistic outlook, particularly when she is trying to support Adrian. The secondary characters also add to the narrative, providing different viewpoints on the world in 1939 as people wonder what the maelstrom in Europe will mean for them. Rose, the contessa, is a surrogate mother to Adrian, and also an important part of the story.
“”That’s a lovely brooch you’re wearing, Charlotte,” the contessa commented. “Is it a family heirloom?” Charlotte’s face lit up. “It’s a gift from Nick. He said it’s a family piece brought over by his mother when they immigrated to the United States.” The contessa leaned closer to Charlotte to get a better look at the brooch. It was a large golden filigree circular pin set with sapphires, emeralds, and diamonds. “It looks quite valuable. They must have come from a wealthy family,” the contessa said. “Not how he tells it,” Charlotte said. “He did say this was the one piece his mother refused to sell to help meet their needs once they settled here. Nick said it’s cursed. His mother didn’t want to pass it on to anyone.””
This novel is an interesting study in human nature and relationships; those who have read Book One will already know the ending, but regardless of that, Adrian’s story is well-written and gives the reader new perspectives on his personality and choices. The tension between making a new life in a different country, while always being emotionally connected to a country of birth is one of the central themes of the story. For example, while others struggle to survive in death camps, Adrian is forging a career in Hollywood and deciding what house to rent. An unexpected aspect of the book is the authentic discussion of religious differences and observance, set against Adrian’s somewhat naïve hopes for a perfect reunion with his son, despite all that has happened.
““Just a few days,” he said. “Don’t worry about it, Suzanne. I’m not. In fact, I’ve been thinking about getting back to my classical roots and looking for a position as a concertmaster when my contract expires.” He had enough ties in the classical music world that this felt feasible. “Or I could take time off to teach for a while and work on finishing my concerto. I’ve been so busy with the last two films I haven’t had time nor energy to work on it. Before I make any decisions, I plan to have a frank talk with Martin about the brothers’ plans for the studio.”
“Concerto: Book Two: Adrian” by Fred Raymond Goldman is a great read, and will also complete the story of Book One for those who read both. The United States of America in wartime was still a land of much opportunity, but for Adrian, haunted by his past and his Polish heritage, sadness and guilt is never far away. The author’s characterization of Adrian’s internal struggle and attempts to make amends is compelling, and Suzanne’s role as his wife is a tribute to strong women everywhere. An intriguing novel with a special ending.
*****
“Concerto: Book Two: Adrian” by Fred Raymond Goldman receives 4 stars from The Historical Fiction Company
To enter the HFC Book of the Year contest and request an editorial review, please visit www.thehistoricalfictioncompany.com/book-awards/award-submission
Comments